Sonia Leber and David Chesworth are known for their distinctive installation artworks, using video, sound, architecture, and public participation. Developed through expansive research in places undergoing social change, Leber and Chesworth’s works are speculative and archaeological, responding to architectural, social, and technological settings. Their highly detailed, conceptual videoworks emerge from the real, but exist significantly in the realm of the imaginary.
Leber and Chesworth’s works have been shown in the central exhibitions of 56th Biennale of Venice (2015), and 19th Biennale of Sydney (2014); and a parallel exhibition of the 5th Moscow Biennale (2013).
Recent group exhibitions include 'The Last Reader', annex M, Megaron, Athens (2018); 'The State We Are In: Collection of Museum of Modern Art in Warsaw', Galeria Labirynt, Lublin, Poland (2018); 'And Tomorrow And', Index–The Swedish Contemporary Art Foundation, Stockholm (2018); 'The Score’, Ian Potter Museum of Art, Melbourne (2017); ‘Looking at me through you’, Campbelltown Arts Centre, Sydney (2017); ‘Call of the Avant-Garde: Constructivism and Australian Art’, Heide Museum of Modern Art (2017); 'I don't want to be there when it happens', 4A Centre for Contemporary Asian Art, Sydney (2017); and Perth Institute of Contemporary Arts (2017); ‘Borders, Barriers, Walls’, Monash University Museum of Art, Melbourne (2016); ‘Melbourne Now’, National Gallery of Victoria, Melbourne (2013-14); ‘Cooperation Territory’, 16thLine Art Gallery, Rostov-on-Don, Russia (2013); ‘Spaced: Art Out of Place’, Fremantle Art Centre (2012); ‘Stealing the Senses’, Govett-Brewster Gallery, New Zealand (2011).
Solo exhibitions include 'Architecture Makes Us', UNSW Galleries, Sydney (2019); ‘Architecture Makes Us’, Centre for Contemporary Photography, Melbourne (2018); ‘Zaum Tractor’, Fehily Contemporary, Melbourne (2014); ‘Zaum Tractor’, Gridchinhall, Moscow (2013); ‘The Way You Move Me’, Fehily Contemporary, Melbourne (2012); ‘Space-Shifter’, Detached/MONA FOMA, Hobart (2012); Perth Institute of Contemporary Arts (2011); and Conical, Melbourne (2009); and ‘Almost Always Everywhere Apparent’, Mildura Arts Centre (2008); and Australian Centre for Contemporary Art, Melbourne (2007).
Leber and Chesworth were awarded the Substation Contemporary Art Prize (2016); Gold Coast Art Prize (2014); and Screengrab International Media Arts Award (2014). They were finalists in the Blake Prize (2016); Incinerator Art Award for Social Change (2016); and the Melbourne Prize for Urban Sculpture (2011).